Chronic disease Free Essays

Phoenix Material Chronic Disease Resource Guide Imagine that a family member or friend, with a chronic disease, has asked for your help finding resources available to help him or her with the disease. Use the table below to compile a list and explanation of at least five resources available for your family member or friend. Your Assigned Disease: Your Assigned Location: Cancer Georgia Resource: Explanation: John B. We will write a custom essay sample on Chronic disease or any similar topic only for you Order Now Amos Cancer Center This center is here to promote health and healing to all cancer patients. The center offers different services such as, clinical research, gynecologist/medical/radiation oncology, and robotic thoracic surgery. Http://www. Calumniation’s. Com/ Chlorofluorocarbons. Asps? ND=1802 Cancer Support Community In Atlanta This group is here for support for cancer patients and their families. Besides support, the group offers classes, information, education programs, stress activities, and fun activities. Http://cancersupportcommunityatlanta. Org/home. PH Perimeter Church This is a cancer support group that provides a safe environment which a person with cancer or their loved ones can share prayer requests and concerns about the Illness. It’s also a place to talk with other survivors and learn to live life with purpose. Http:// www. Perimeter. Org/pages/add-l-enlistees/support-groups/cancer-support-group/ This group is here to support cancer patients through the grace and love of Jesus Christ. Through the community resources, they are here to help patients’ everyday hysterical and spiritual needs by, helping provide food, prescriptions, and necessities. The volunteers also offer other services, such as hospital visits, errand running, and shuttle service. Http://counterparts. Com/ Atlanta Cancer Care The SAC can deal with one cancer needs. The facility has different caregiver and support information for one with cancer or to help the loved ones cope with it. The facility also has plenty of resources. Http://www. Teleconference. Com/Home. Asps How to cite Chronic disease, Papers

Chronic disease Free Essays

Phoenix Material Chronic Disease Resource Guide Imagine that a family member or friend, with a chronic disease, has asked for your help finding resources available to help him or her with the disease. Use the table below to compile a list and explanation of at least five resources available for your family member or friend. Your Assigned Disease: Your Assigned Location: Cancer Georgia Resource: Explanation: John B. We will write a custom essay sample on Chronic disease or any similar topic only for you Order Now Amos Cancer Center This center is here to promote health and healing to all cancer patients. The center offers different services such as, clinical research, gynecologist/medical/radiation oncology, and robotic thoracic surgery. Http://www. Calumniation’s. Com/ Chlorofluorocarbons. Asps? ND=1802 Cancer Support Community In Atlanta This group is here for support for cancer patients and their families. Besides support, the group offers classes, information, education programs, stress activities, and fun activities. Http://cancersupportcommunityatlanta. Org/home. PH Perimeter Church This is a cancer support group that provides a safe environment which a person with cancer or their loved ones can share prayer requests and concerns about the Illness. It’s also a place to talk with other survivors and learn to live life with purpose. Http:// www. Perimeter. Org/pages/add-l-enlistees/support-groups/cancer-support-group/ This group is here to support cancer patients through the grace and love of Jesus Christ. Through the community resources, they are here to help patients’ everyday hysterical and spiritual needs by, helping provide food, prescriptions, and necessities. The volunteers also offer other services, such as hospital visits, errand running, and shuttle service. Http://counterparts. Com/ Atlanta Cancer Care The SAC can deal with one cancer needs. The facility has different caregiver and support information for one with cancer or to help the loved ones cope with it. The facility also has plenty of resources. Http://www. Teleconference. Com/Home. Asps How to cite Chronic disease, Papers

Relationship Between King Lear and His Fool Essay Example

Relationship Between King Lear and His Fool Paper Refer to Act one, scene five Describe the relationship between King Lear and his Fool in this passage. How is the relationship developed in King Lear as a whole? In Shakespeares King Lear, the relationship between Lear and the fool is crucial to the development of the character of Lear and also to many themes in the play. Interweaving insightful commentaries with clever wit and language, the fool, a loyal associate to Lear, offers an insight into Lears mind. Using juxtaposition with metaphor, symbolism, puns and irony, the fool effectively addresses and understands Lears motives and offers practical, unpretentious advice. The fool effectively gives to Lear a conscience, and highlights his goodness and self-realization as Lear is persuaded to lower himself to the level of another. The play starts with Lear effectively being the fool but gains wisdom and human experiences with the guidance of the fool and learns humility, remorse and compassion. With the fool, Lear becomes a sympathetic character, identifiable as a human, and less as an ignorant king. This passage takes place in act one, scene five after Lears dividing of his land. Conflict between Lear and Goneril has forced Lear to seek the company of Regan, where he hopes he will be treated with better respect. The fool and Lear are alone on stage, and the fool remarks upon Lears misjudgments. The fool focuses on the strange motion of a mans brains†¦ ins heels stating that Lear has misplaced his wits and common sense and has now been infected with kibes. This metaphor is symbolic of Lear’s plans being infested by unwanted intentions. thy wit shall not go slipshod. Lear should not visit his second daughter just as this is an unnecessary action, and for how can your wits be sheltered by slipshod? We will write a custom essay sample on Relationship Between King Lear and His Fool specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Relationship Between King Lear and His Fool specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Relationship Between King Lear and His Fool specifically for you FOR ONLY $16.38 $13.9/page Hire Writer This imagery is significant to mock Lears poor logic and ignorance, emphasized by the rhetorical question, as it seems like common knowledge that Lear is walking into inevitable disaster. Goneril and Regan are metaphorically Crabapples and cannot be trusted by their approachable appearances. Similarly in Act III scene VI, the fool once again comments on the false appearance of objects. Hes mad, that trusts in the tameness of a wolf, a horses health, a boys love, or a whores oath and urges Lear to reflect on his own actions. Next the Fool comments on Lears judgment by metaphorically likening it to his sensory mechanisms. He states that the noses job is to keep ones eyes on either side of it, which again highlights Lears folly. Lears vision is straight, unyielding, which makes him susceptible to deceptions because he cannot see a wide range of vision that he cannot smell out, Intuitively, Lear perceives that he has treated Cordelia wrongly, triggered by the words of the Fool. It is evident that the fool serves as Lears reflection. As later mentioned in the play, Lear asks who am I? and the fool replies Lears shadow. Lear is unsure of his own identity because he cannot see himself, for a shadow cannot see itself just as eyes cannot see without being separated by the nose. In both cases, the fool acts as the mediator or helper for Lears deeper understanding of himself. The fool comments on the idea that a snail has a house†¦ to puts head in; not to give to daughters. Again the fool uses effective ima gery to highlight the folly of Lear, and the fool foreshadows Lears downfall just as a snail without its house is more susceptible to discomforts and disasters. Now that Lear has abandoned his crown and left his horns without a case, he cannot hold on to the power that once sheltered him from others cruelties and disobedience. Lear, finally realizing the insincerity of his daughters when he divided the land, says I will forget my nature. Here the imagery of the snail not only signifies helplessness and danger after having the crown taken from him, but it also suggests rebirth and new apprehension; Lear has departed from his shell and left his crown behind and is aware of the truths of the world. These lines spoken by the fool is echoed in the storm scene Act III scene IV. Lear remarks unaccommodated man is no more but such a poor, bare, forked animal to address the misfortunes of himself and Edgar. It seems like mans fortune is no better than an animals. He is stripped of his crown and glorious image, down to the basest form of nothing but instinct as he stands within the storm. Lear is deprived of all protections and false ideas; he has indeed exposed himself to the cruelties of the world. Just as the fool foreshadowed, all his follies have come back to leave him with nothing, and without his shell for protection. Lear contemplates reclaiming the crown To taket again perforce! followed by a pause, he says Monster ingratitude! These exclamations are contrasted, as Lear first remarks on his reclaiming of the crown and then to the unthankful nature of his daughters. Lear shows sharp abruptness of thought and indecision as these sentences are incomplete, suggesting panic and onslaught of madness. This supports the thought thou wouldst make a good fool as observed by the fool. This strong contrast between the fluent observant speech of the fool and Lear switches the roles of the wise and the delirious, and signifies the lowering of Lears status and mental state. Further more, as the fool addresses Lear as his fool, Lear is dependant on the logic of someone less intelligent, and not his own ideas as seen earlier, as a man who sees himself in full control of the lands: Know that we have divided in three our kingdom. While earlier, he addressed himself in third person as a sign of authority, now in the presence of the fool he is lowered to a man with no servants or possessions. Finally, the fool comments, thou shouldst not have been old till thou hast been wise. Lear says O, let me not be mad, not mad sweet heaven! This apostrophe addressed to the Gods is an expression of Lears caution in regard to his fall into derangement and confusion after having been rejected by Goneril. F or the first time Lear acknowledges the dangers of hatred towards another, and tries to restrain immersing himself completely with revengeful thoughts. The nature of this conversation is repeated in Act II scene IV, the fool comments that the daughters will treat him with neglect for Fortune, that arrant whore, Neer turns the key to thpoor. Lear, feeling his tempers rising and resting on the verge of madness, comments Hysterica passio, down, thou climbing sorrow. In both cases, the fools words acts as Lears conscience, a force to keep him away from complete loss of reason. The relationship between the fool and Lear highlights many themes within the play King Lear, primarily to the theme of self-awareness and understanding. The fool is the manifestation of the truth in Lear, while offering himself as a reflection to Lear to aid him for a better understanding of human character; pointing directly and acutely to Lears weaknesses and ignorances. There is effective use of language techniques to aid the expressive nature of the fool, being explicit yet underlying in his comments to Lear. Essentially, the fool is Lears conscience that aids to resolve his internal conflicts throughout the play and becomes Lears shadow or reflection, which helps the progression of Lear’s character.

Mandarin Future Expression Using Yao and Hui

Mandarin Future Expression Using Yao and Hui The two auxiliary verbs, yo and huà ¬, can be used for talking about the future in the sense of going to do something or intending to do something. Consider these two sentences: WÇ’ yo qà ¹ BÄ›ijÄ «ng.我è ¦ Ã¥Å½ »Ã¥Å'â€"ä º ¬WÇ’ huà ¬ qà ¹ BÄ›ijÄ «ng.我æÅ"Æ'åŽ »Ã¥Å'â€"ä º ¬Ã¦Ë†â€˜Ã¤ ¼Å¡Ã¥Å½ »Ã¥Å'â€"ä º ¬ The first sentence, using yo, indicates an intention to go to Beijing. The second sentence, using huà ¬, indicates a confident prediction of going to Beijing. Intention or Prediction The two sentences above can be translated as: WÇ’ yo qà ¹ BÄ›ijÄ «ng.I am going to Beijing.orI want to go to Beijing.WÇ’ huà ¬ qà ¹ BÄ›ijÄ «ng.I will go to Beijing (I expect I will go to Beijing). Yo is sometimes (but not always) used with a time expression to differentiate between want and intend. When used without a time reference, the only way to determine the exact meaning of yo is by context or clarification. Here are some more examples: NÇ  yo mÇŽi shà ©nme dÃ… ngxÄ «?ä ½  Ã¨ ¦ Ã¨ ² ·Ã§â€Å¡Ã© º ¼Ã¦  ±Ã¨ ¥ ¿?ä ½  Ã¨ ¦ Ã¤ ¹ °Ã¤ »â‚¬Ã¤ ¹Ë†Ã¤ ¸Å"è ¥ ¿?What are you going to buy?orWhat do you want to buy?NÇ  huà ¬ mÇŽi shà ©nme dÃ… ngxÄ «?ä ½  Ã¦Å"Æ'è ² ·Ã§â€Å¡Ã© º ¼Ã¦  ±Ã¨ ¥ ¿?ä ½  Ã¤ ¼Å¡Ã¤ ¹ °Ã¤ »â‚¬Ã¤ ¹Ë†Ã¤ ¸Å"è ¥ ¿?What do you expect to buy?Chà ©n xiÇŽojie mà ­ngtiÄ n yo gÄ“n wÇ’ shuÃ… .é™ ³Ã¥ ° Ã¥ § Ã¦ËœÅ½Ã¥ ¤ ©Ã¨ ¦ Ã¨ ·Å¸Ã¦Ë†â€˜Ã¨ ª ªÃ©â„¢Ë†Ã¥ ° Ã¥ § Ã¦ËœÅ½Ã¥ ¤ ©Ã¨ ¦ Ã¨ ·Å¸Ã¦Ë†â€˜Ã¨ ¯ ´Miss Chen is going to speak with me tomorrow.Chà ©n xiÇŽojie mà ­ngtiÄ n huà ¬ gÄ“n wÇ’ shuÃ… .é™ ³Ã¥ ° Ã¥ § Ã¦ËœÅ½Ã¥ ¤ ©Ã¦Å"Æ'è ·Å¸Ã¦Ë†â€˜Ã¨ ª ªÃ©â„¢Ë†Ã¥ ° Ã¥ § Ã¦ËœÅ½Ã¥ ¤ ©Ã¤ ¼Å¡Ã¨ ·Å¸Ã¦Ë†â€˜Ã¨ ¯ ´Miss Chen expects to speak with me tomorrow.

How To Craft a Compelling Story - Freewrite Store

How To Craft a Compelling Story - Freewrite Store How To Write With Impact Whether you’re writing a short story, novel or a sales page for your website, keeping your readers hooked is your main goal. If you fail to hook them, you lose them - and not just in the short term. They’ll remember how underwhelmed they were by your writing - and probably won’t give you a second chance. To have a positive impact on your readers, you have to impress them with your skill. Compelling content that almost forces them to keep reading will stick in their mind long after they’ve finished reading - and they’ll want to come back for more. That’s the secret to building a loyal audience that will benefit you long into the future.   Writers - just like you - come to me frustrated because they’re not happy with their writing. It lacks that attention-grabber hook that propels you from writer to storyteller. It doesn’t mean you’re not a great writer. It doesn’t mean you should quit. It just means you need to develop the skills. How To Write With Impact Writing a compelling story isn’t easy - not even when you’ve been doing it for years. You have to work hard at it, then edit, refine and improve until it’s a polished piece that could almost reach out and grab your readers by their lapels. It’s a skill you develop and practice, not something that’s innate - which is why so many writers get frustrated by the process. Related: Story vs. Plot So, what makes a compelling story? What techniques do you have to use to grab your reader’s attention and keep them firmly on those writing hooks? There’s no magic formula for this kind of powerful writing, but there are some key ingredients. What’s more, they work for content marketing, business writing and blog posts just as well as they do for fiction. Crafting content that’s compelling is a truly transferable skill. Let’s dive into the top 1.Show, Don’t Tell Okay, so this old cliche is so tired and worn out I really debated about whether to put it in - but despite its overuse, it’s still important. When you’re trying to hook your audience, it’s no good telling them how your character feels. Showthem, with a description that’s loaded with opportunities for your reader to slip into your character’s shoes and immerse themselves in the story. Related: Show and Tell Rather than explaining to your readers, you’re giving them the opportunity to draw their own conclusions. Once they’re in your character’s shoes, you’ve started the process of making them care - and that means they’re much less likely to abandon the story early on. 2. Shock and Surprise Startle your readers with something they weren’t expecting. Marketers do this a lot - aiming for the shock factor - but it’s just as important if you’re writing a short story or novel. Make it truly shocking and unexpected and you’ll have your readers right where you need them. Related: Did you catch our April 1 'product launch'?   We encounter the unexpected every day - and how we respond is part of our learning process. Injecting something shocking into your writing keeps it real and (most) readers will be intrigued as to how the character handles what’s happened. Is it different from how your reader would respond? Is there something they can learn from this? The shock factor is a sure fire way to get your readers on the hook - because you’ve grabbed their attention. Now you just have to keep them on the hook. 3. Relatability Compelling writing is real, gritty, and doesn’t pull any punches. If you want to keep your readers on the hook, they have to be able to relate to what’s happening in your story. To master relatability, you have to know your audience inside out. What problems do they have? What in their lives causes them the most pain. If your reader encounters a character they can relate to, who has problems as they do, they’re automatically more engaged. Your readers care about the characters they can relate to. They don’t care about the characters they have nothing in common with. Far too often, the reason why you’re not hooking your audience is because you don’t fully understand them. 4. Raise The Stakes You’re writing about real situations (or situations that could be happening to your readers) - but that doesn’t mean you have to confine yourself to strict realism. Your readers have put themselves in your character’s shoes, been shocked by something, and can relate to the problem - so now you have to raise the stakes. What’s the worst thing that could happen to your character right now? Even if it’s not really likely, you have to raise your readers’ investment in the story you’re telling. You’re playing with their emotions now, and you can’t hold back. (Well, you could, but make it too ‘ordinary’ and your readers will slide right off the hook again.) When you raise the stakes, you create that edge-of-the-seat anticipation in your reader. You know, that feeling where you can’t put the book (or tablet, e-reader, magazine, whatever) down because you just have to find out what happens next. That’s exactly what you’re aiming for. 5. Mining The Depths Characters that your readers care about aren’t 2D cardboard cutouts. When you’re creating content - whether fiction or non-fiction - 2D cardboard cutouts aren’t going to get you the results you want. You have to bring your characters to life - so it feels like they’re living, breathing people bursting off the page. You bring your characters to life by creating layer after layer of details. To do that, you need to know everything about your character’s backstory (even if you’re just creating them for a digital marketing campaign!). I’ve had students tell me that it’s way too much effort for content marketing, and should only be for fiction, but it works for me and the results are worth the effort. It’s the little details that bring your character to life. Anchor them in real-life events that have enough detail to make it sound like you’re giving eyewitness testimony in the courtroom. Names, places, feelings, sensations, emotions - build the details until you start to feel like you are giving eyewitness testimony. 6. Make It Memorable Compelling writing leaves a lasting impression on your reader - which makes them remember you. Whether you’re a novelist or a social media marketer, your goal is to ensure that your reader remembers you. Compelling writing inspires loyalty in your readers, building an audience that is already primed to sign up for your mailing list or like your Facebook page. Making an impression on your readers isn’t easy when there are so many other writers trying to do exactly the same thing. You have to stand out. You have to get your hook so deep into your audience that they won’t be able to forget how your writing made them feel, or how your writing changed their life. One way to ensure that your readers remember you and remain firmly on your hook is to leave them with a feeling of unfinished business. Don’t resolve all of the conflicts in your story. Leave an unresolved thread that will be like a constant itch at the back of your reader’s mind. Refining Your Writing    Don’t expect your first draft to be a masterpiece of compelling writing. While some writers may be ready to publish after the second draft, most writers go through multiple drafts. I don’t put a number limit on my drafting process - I redraft until I’m happy that I’ve done everything I can. Sometimes it takes five drafts. Other times it takes fifteen. I’m a ruthless editor, too. Crafting compelling stories isn’t something you can do in an evening, sitting with your laptop on your knee in front of the TV. Cut out all the distractions and immerse yourself in your characters’ world. Distractions and interruptions only dilute the strength of your writing. Give your writing the dedicated time it deserves, and you’ll master the art of writing with an impact much more quickly.       About the author: Ariella is an experienced copywriter, editor, and digital marketing consultant. Driven by a passion for writing and content creation she takes pride in producing articles that deliver the latest information in an engaging manner and marketing campaigns that deliver exceptional results. Ariella has a BA (Hons) in English Language and Creative Writing (First), an MA in Theology and Ministry, and is a published author of three novels and a bestselling non-fiction book. A creative at heart, Ariella has 14 years’ industry experience and always aims to keep abreast of current trends and developments. She lives in the UK with her three beagles Zeke, Hope, and Sandy, who always make life interesting. How To Craft a Compelling Story - Freewrite Store How To Write With Impact Whether you’re writing a short story, novel or a sales page for your website, keeping your readers hooked is your main goal. If you fail to hook them, you lose them - and not just in the short term. They’ll remember how underwhelmed they were by your writing - and probably won’t give you a second chance. To have a positive impact on your readers, you have to impress them with your skill. Compelling content that almost forces them to keep reading will stick in their mind long after they’ve finished reading - and they’ll want to come back for more. That’s the secret to building a loyal audience that will benefit you long into the future.   Writers - just like you - come to me frustrated because they’re not happy with their writing. It lacks that attention-grabber hook that propels you from writer to storyteller. It doesn’t mean you’re not a great writer. It doesn’t mean you should quit. It just means you need to develop the skills. How To Write With Impact Writing a compelling story isn’t easy - not even when you’ve been doing it for years. You have to work hard at it, then edit, refine and improve until it’s a polished piece that could almost reach out and grab your readers by their lapels. It’s a skill you develop and practice, not something that’s innate - which is why so many writers get frustrated by the process. Related: Story vs. Plot So, what makes a compelling story? What techniques do you have to use to grab your reader’s attention and keep them firmly on those writing hooks? There’s no magic formula for this kind of powerful writing, but there are some key ingredients. What’s more, they work for content marketing, business writing and blog posts just as well as they do for fiction. Crafting content that’s compelling is a truly transferable skill. Let’s dive into the top 1.Show, Don’t Tell Okay, so this old cliche is so tired and worn out I really debated about whether to put it in - but despite its overuse, it’s still important. When you’re trying to hook your audience, it’s no good telling them how your character feels. Showthem, with a description that’s loaded with opportunities for your reader to slip into your character’s shoes and immerse themselves in the story. Related: Show and Tell Rather than explaining to your readers, you’re giving them the opportunity to draw their own conclusions. Once they’re in your character’s shoes, you’ve started the process of making them care - and that means they’re much less likely to abandon the story early on. 2. Shock and Surprise Startle your readers with something they weren’t expecting. Marketers do this a lot - aiming for the shock factor - but it’s just as important if you’re writing a short story or novel. Make it truly shocking and unexpected and you’ll have your readers right where you need them. Related: Did you catch our April 1 'product launch'?   We encounter the unexpected every day - and how we respond is part of our learning process. Injecting something shocking into your writing keeps it real and (most) readers will be intrigued as to how the character handles what’s happened. Is it different from how your reader would respond? Is there something they can learn from this? The shock factor is a sure fire way to get your readers on the hook - because you’ve grabbed their attention. Now you just have to keep them on the hook. 3. Relatability Compelling writing is real, gritty, and doesn’t pull any punches. If you want to keep your readers on the hook, they have to be able to relate to what’s happening in your story. To master relatability, you have to know your audience inside out. What problems do they have? What in their lives causes them the most pain. If your reader encounters a character they can relate to, who has problems as they do, they’re automatically more engaged. Your readers care about the characters they can relate to. They don’t care about the characters they have nothing in common with. Far too often, the reason why you’re not hooking your audience is because you don’t fully understand them. 4. Raise The Stakes You’re writing about real situations (or situations that could be happening to your readers) - but that doesn’t mean you have to confine yourself to strict realism. Your readers have put themselves in your character’s shoes, been shocked by something, and can relate to the problem - so now you have to raise the stakes. What’s the worst thing that could happen to your character right now? Even if it’s not really likely, you have to raise your readers’ investment in the story you’re telling. You’re playing with their emotions now, and you can’t hold back. (Well, you could, but make it too ‘ordinary’ and your readers will slide right off the hook again.) When you raise the stakes, you create that edge-of-the-seat anticipation in your reader. You know, that feeling where you can’t put the book (or tablet, e-reader, magazine, whatever) down because you just have to find out what happens next. That’s exactly what you’re aiming for. 5. Mining The Depths Characters that your readers care about aren’t 2D cardboard cutouts. When you’re creating content - whether fiction or non-fiction - 2D cardboard cutouts aren’t going to get you the results you want. You have to bring your characters to life - so it feels like they’re living, breathing people bursting off the page. You bring your characters to life by creating layer after layer of details. To do that, you need to know everything about your character’s backstory (even if you’re just creating them for a digital marketing campaign!). I’ve had students tell me that it’s way too much effort for content marketing, and should only be for fiction, but it works for me and the results are worth the effort. It’s the little details that bring your character to life. Anchor them in real-life events that have enough detail to make it sound like you’re giving eyewitness testimony in the courtroom. Names, places, feelings, sensations, emotions - build the details until you start to feel like you are giving eyewitness testimony. 6. Make It Memorable Compelling writing leaves a lasting impression on your reader - which makes them remember you. Whether you’re a novelist or a social media marketer, your goal is to ensure that your reader remembers you. Compelling writing inspires loyalty in your readers, building an audience that is already primed to sign up for your mailing list or like your Facebook page. Making an impression on your readers isn’t easy when there are so many other writers trying to do exactly the same thing. You have to stand out. You have to get your hook so deep into your audience that they won’t be able to forget how your writing made them feel, or how your writing changed their life. One way to ensure that your readers remember you and remain firmly on your hook is to leave them with a feeling of unfinished business. Don’t resolve all of the conflicts in your story. Leave an unresolved thread that will be like a constant itch at the back of your reader’s mind. Refining Your Writing    Don’t expect your first draft to be a masterpiece of compelling writing. While some writers may be ready to publish after the second draft, most writers go through multiple drafts. I don’t put a number limit on my drafting process - I redraft until I’m happy that I’ve done everything I can. Sometimes it takes five drafts. Other times it takes fifteen. I’m a ruthless editor, too. Crafting compelling stories isn’t something you can do in an evening, sitting with your laptop on your knee in front of the TV. Cut out all the distractions and immerse yourself in your characters’ world. Distractions and interruptions only dilute the strength of your writing. Give your writing the dedicated time it deserves, and you’ll master the art of writing with an impact much more quickly.       About the author: Ariella is an experienced copywriter, editor, and digital marketing consultant. Driven by a passion for writing and content creation she takes pride in producing articles that deliver the latest information in an engaging manner and marketing campaigns that deliver exceptional results. Ariella has a BA (Hons) in English Language and Creative Writing (First), an MA in Theology and Ministry, and is a published author of three novels and a bestselling non-fiction book. A creative at heart, Ariella has 14 years’ industry experience and always aims to keep abreast of current trends and developments. She lives in the UK with her three beagles Zeke, Hope, and Sandy, who always make life interesting.

Outsourcing - Joint venture, Nearshore, back source and switch vendor Essay

Outsourcing - Joint venture, Nearshore, back source and switch vendor - Essay Example In fact, Whitten and Leidner point out that outsourcing can determine the â€Å"product quality, service quality, relationship quality and the switching costs† of a company’s products (2006). As such, outsourcing is generally an important strategy that can determine the success of an organization. Essentially, due to the development or organizational skills and technological developments, the competition among organizations has increased significantly. To avoid losses, many companies have opted to enter in to contracts and partnerships through the act of outsourcing. Generally, to enter these contracts, there are various costs that each organization has to cater for. These costs generally arise due to the payments made in respect to offshore government policies, agreements and negotiations as well as legal aspect matters among others. Notably important, in many instances, the costs of the partnership contract will be lower in huge and established corporations such as GlobShop, and higher in smaller organizations. Generally speaking, established organizations such as GlobShop are usually offered better investment programs and incentives as compared to the less established ones. Equally important, the monitoring and evaluation of performance in any organization helps in the acknowledgement of ambiguities that may lead to failure of the outsourcing. To ensure that an outsourcing venture is successful, organizations should consistently conduct meetings to discuss and review the set goals and targets. These meetings will also ensure that the organizations keep a consistent work towards attaining specific objectives thus enabling employees and managers to consistently keep track of their performance. Furthermore, joint venture outsourcing enables the organizations under partnership to increase returns and reduce costs significantly. However, lack of

How Does The Outdoor Environment Support Children's Personal, Social Essay

How Does The Outdoor Environment Support Children's Personal, Social And Emotion Development - Essay Example Concentration, an important constituent for the development of child, declines following prolonged exposure to classrooms (Pellegrini and Davis, 1993). Thus, this gives roof to the need of playgrounds and outdoor games for the instillation of the lost concentration. Playgrounds, the main instillers of self-confidence and self-esteem need to replicate nature. They also need to provide an opportunity to children to learn from experiment, risk, and control of the environment. It is also essential for the playgrounds to serve better by being responsive to each and every child. These playgrounds meeting the need of children might often appear a little messy and disorganized to the adult (Moore, 1986). The present need is to realise the existent need for well-designed playgrounds for the development of self-esteem in the school children (Titman's 1994). It has long been noted by Sucklin (1981) that social skills known, learned, and practiced on the playground during recess are important even for the later development of children. This is also essential because before the beginning of adolescence, children relate to the surrounding world mainly through their senses and bodily movement, which is greatly motivated by the outdoor environment’s freedom and diversity. This holds a more powerful stand for the green environments in close intimacy. (Kuo & Sullivan, 2002). The social and emotional development of the children also gets influenced by the availability and easy reach of the outdoor facilities and resources.